Francesca has worked extensively in Theatre, Film and Television as a choreographer and Movement Director.
Productions in rep include SWEET CHARITY, GUYS AND DOLLS, IT’S A WONDERFUL LIFE, LITTLE SHOP OF HORRORS, BLUES IN THE NIGHT, SUGAR, AND OUR HOUSE. Other theatre credits include: THE DAY AFTER TOMORROW, AFTER LIFE and THE THREEPENNY OPERA, (National Theatre) Pirates Of Penzance (ENO), Kafka’s Dick (Bath Theatre Royal) and Stephen Fry’s Cinderella (Old Vic).
Francesca has worked with TIM BURTON on CHARLIE AND THE CHOCOLATE FACTORY, SWEENEY TODD, DARK SHADOWS, ALICE IN WONDERLAND, MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN AND DUMBO.
She collaborated with STEVEN SPIELBERG devising movement concepts for Jude Law and the robots in his film A.I. ARTIFICIAL INTELLIGENCE and with Mike Leigh on VERA DRAKE AND TOPSY TURVY (for which she was nominated for Best Choreography in a film by the American Choreography Awards.)
Other films include GREAT EXPECTATIONS, ONE DAY, X-MEN FIRST CLASS, THE DUCHESS, DE LOVELY, THE DA VINCI CODE, PRINCE OF PERSIA, THE PICTURE OF DORIAN GRAY, ME AND ORSON WELLES, CLASH OF THE TITANS, GULLIVER’S TRAVELS, AUSTENLAND, THE LOOK OF LOVE, AVENGERS AGE OF ULTRON, GRAVITY, MUPPETS MOST WANTED, THE INVISIBLE WOMAN, OUR KIND OF TRAITOR, and MOST RECENTLY BLACK WIDOW.